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John Adams at 80
Sir Simon Rattle on the Barbican Stage
Barbican

John Adams at 80

Sir Simon Rattle

Sunday 10 January 2027 • 7pm

Sir Simon Rattle leads the LSO in music by John Adams: Frenzy, an extract from The Gospel According to the Other Mary and Harmonielehre – an electrifying journey through the composer's luminous soundworld.

John Adams at 80
John Adams conducting with a baton.
Barbican

John Adams at 80

John Adams and Víkingur Ólafsson

Wednesday 13 January 2027 • 7pm

John Adams joins the LSO for an evening of his own music, including After the Fall with pianist Víkingur Ólafsson, plus Shaker Loops, Short Ride in a Fast Machine and The Chairman Dances.

Symphonic Cinema
Emma Thompson standing on sand surrounded by dancers.
Barbican

Symphonic Cinema

Ben Gernon and Lucas van Woerkum

Sunday 31 January 2027 • 6pm

Holst’s The Planets meets live‑shaped film in Symphonic Cinema, featuring the UK premiere of LOSS with Emma Thompson and Greg Wise.

Symphonic Cinema
Emma Thompson staring out a window.
Barbican

Symphonic Cinema

Ben Gernon and Lucas van Woerkum

Sunday 31 January 2027 • 7.45pm

Holst’s The Planets meets live‑shaped film in Symphonic Cinema, featuring the UK premiere of LOSS with Emma Thompson and Greg Wise.

Ondřej Adámek and Mendelssohn
Christian Tetzlaff playing violin on the Barbican stage.
Barbican

Ondřej Adámek and Mendelssohn

Alain Altinoglu and Christian Tetzlaff

Sunday 7 February 2027 • 7pm

A night of brilliance and choral splendour, with Mendelssohn’s glowing 'Lobgesang' and Adámek’s virtuosic Second Violin Concerto, joined by soloist Christian Tetzlaff.

Brett Dean and Bartók
Isabelle Faust playing a violin on the Barbican stage.
Barbican

Brett Dean and Bartók

Maxime Pascal and Isabelle Faust

Thursday 11 February 2027 • 7pm

Contemporary specialist Maxime Pascal is joined by Isabelle Faust for Brett Dean’s moving ode to letter writing, before the LSO shine in Bartók’s virtuosic Concerto for Orchestra.

Elgar and Tchaikovsky
Alisa Weilerstein in a red dress holding her cello.
Barbican

Elgar and Tchaikovsky

Sir Antonio Pappano and Alisa Weilerstein

Thursday 18 February 2027 • 7pm

Two of classical music’s most heart-rending works – Elgar’s intimate, introspective Cello Concerto and Tchaikovsky’s intense, emotional Fifth Symphony – with Sir Antonio Pappano and soloist Alisa Weilerstein.

Beethoven and Shostakovich
Maxim Vengerov playing the violin
Barbican

Beethoven and Shostakovich

Sir Antonio Pappano and Maxim Vengerov

Sunday 21 February 2027 • 7pm

Violinist Maxim Vengerov brings elegance and majesty to Beethoven's Violin Concerto, before the unrelenting and colossal power of Shostakovich’s war-scarred Eighth Symphony.

Half Six Fix: Shostakovich 8
Sir Antonio Pappano standing on the podium, facing the audience in the Barbican Hall, talking into a microphone
Barbican

Half Six Fix: Shostakovich 8

Sir Antonio Pappano

Wednesday 17 March 2027 • 6.30pm

Kick-start your evening with a 60-minute Half Six Fix concert. The LSO’s Chief Conductor Sir Antonio Pappano presents one of Shostakovich’s darkest symphonies, reflecting the stark brutality of war.

Half Six Fix: Barbara Hannigan
Barbara Hannigan conducting the LSO in the Barbican Hall
Barbican

Half Six Fix: Barbara Hannigan

Barbara Hannigan

Wednesday 7 April 2027 • 6.30pm

Barbara Hannigan takes us on a sweeping journey through Ives and Gershwin, highlighting the diversity and invention that abounded as America forged its modern musical voice.

America's Voice
Barbara Hannigan conducting the LSO in the Barbican Hall
Barbican

America's Voice

Barbara Hannigan

Thursday 8 April 2027 • 7pm

Trailblazing soprano and conductor Barbara Hannigan guides us through the musical landscape of America at a defining point in its history, from concert hall to musical theatre.

Schoenberg and Mahler
Headshot of Klaus Makela, looking into the distance
Barbican

Schoenberg and Mahler

Klaus Mäkelä

Sunday 11 April 2027 • 7pm

Acclaimed Finnish conductor Klaus Mäkelä ventures to the edge of tonality with Schoenberg’s highly charged Verklärte Nacht, then journies from darkness to light in Mahler’s emotionally complex Seventh Symphony.