Lisa Robertson: Cànan nan Eun

LSO Jerwood Composer+ Member Lisa Robertson explores our connection to birds and birdsong in music.

Birds inform us about our environment, marking the seasons and playing their part in nature’s cycles. They inspire us in art, in folklore and in music where bird mimicry has existed worldwide throughout time. In traditional Gaelic culture there are numerous bird mimicry songs which blur the lines between birdsong, music and speech as well as rich bird-related folklore. In these times of ecological crisis, bird numbers are in decline and this tragedy affects our lives and our planet countless ways.

Sierra’s Avian Mirrors and Doolittle’s Field Guide bring us into the world of accurate mimicry of birdsong with rich interplay between birds, while Bauckholt’s Doppelbelichtung presents photographically accurate transcriptions of bird calls with great intensity. Terranova’s Rainbow Dust in the Sky and Grime’s To see the summer sky bring us into the evocative aerial world of birds with music that is both ethereal and intense.

Sørenson’s Wings of Spring lends a darker melancholy to the programme which leads us into reflection on the decline of bird populations and our changing relationship with our environment. Buckley’s Fiach explores Celtic folklore about the raven’s association with death and the otherworld. Lisa’s new work ends the evening exploring accurate bird mimicry, Gaelic folklore related to certain bird species while mourning their tragic decline.

Presented by LSO Discovery.

LSO Jerwood Composer+ is generously supported by Jerwood Foundation, with additional support from the Hinrichsen Foundation, The Marchus Trust, and the Vaughan Williams Foundation.