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The London Symphony Orchestra on the stage of the Barbican. All players are wearing black, and the photo is taken from a bird's eye view.

British Music

Videos, interviews, articles and more exploring British music.

Ever since our first concert in 1904, the LSO has proudly championed the work of British composers. From Sir Edward Elgar to Sir James MacMillan, the Orchestra has premiered some of the most notable works the country has produced over the last century.

In the 2025/26 season, Sir Antonio Pappano will continue his focus on British music as he embarks on his second season as LSO Chief Conductor, continuing his Vaughan Williams cycle with the ‘London’ Symphony alongside stirring works by Elgar and Britten.

The LSO and British Music: Read More

British music fell into a long decline after the death of Henry Purcell in 1695, prompting one German critic to label Britain as ‘the land without music’. When a British musical renaissance finally came, at the turn into the 20th century, the LSO was ready to help it blossom. The Orchestra performed Edward Elgar’s famous ‘Enigma’ Variations at its very first concert, on 4 June 1904. The composer became Chief Conductor of the LSO in 1911–12, and in 1919 he conducted the Orchestra in the first performance of his heartfelt Cello Concerto. The association continued for the rest of his life: in January 1934, just a month before his death, Elgar supervised an LSO recording of his works from his sick bed in Worcester via a special link to the recording studio in London.

In 1920, it was the LSO that gave the first complete public performance of Gustav Holst’s astrological suite The Planets. William Walton’s biblical cantata Belshazzar’s Feast came in 1931 and, by the time the Orchestra had premiered another milestone of British music – Benjamin Britten’s The Young Person’s Guide to the Orchestra, in 1946 – it had recorded Arthur Bliss’ soundtrack to the sci-fi film Things to Come (1936) as well as Vaughan Williams’ score for the war drama 49th Parallel (1941). Malcolm Arnold’s music for The Bridge on the River Kwai (1957) was among the many other film scores to follow.

Successive LSO conductors have worked hard to cast off the image of Britain as the ‘land without music’, not least André Previn (Principal Conductor, 1968–79) and Richard Hickox (Associate Conductor, 1985–2008). Sir Colin Davis (Principal Conductor, 1995–2006) was a passionate supporter of Sir Michael Tippett, premiering his Concerto for Orchestra (1963), Symphony No 3 (1972) and Triple Concerto (1980) with the LSO.

Sir Simon Rattle (Music Director, 2017–23) gave premieres of pieces by Sir Peter Maxwell Davies, Sir Harrison Birtwistle, Mark-Anthony Turnage, Helen Grime and Emily Howard among others; and, since taking up the role of Chief Conductor in 2024, Sir Antonio Pappano has embarked on a fresh cycle of Vaughan Williams symphonies. ‘What I love about English music in general,’ Pappano says, ‘is that it reveals such a depth of character, which is a little bit at odds with the cliché of the Englishman, frankly. This music sings, and has anguish and beauty and romance. And it soars, it has tranquillity and agitation.’

By Edward Bhesania

I’m going to be putting a very strong accent on British music with the LSO.
Sir Antonio Pappano

The LSO and British Music

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