François-Xavier Roth, Principal Guest Conductor, introduces his programmes in the LSO’s 2023/24 season.
As a conductor, I always want to have contact with new music. Reading and studying a new score is like musical fitness – it’s stimulating for my eyes, for my brain, and for my music-making, and it affects my reading of the older music.
LSO Futures is a festival championing new music – not just the music of our time, but also music from the last decades, and something the LSO and I have been working together on for years and years. I often say that I love contemporary music from all periods of music history. All music was modern music at the time. And I think that as a society, as an audience, as artists, the more we have close contact to the music written today, the better. There’s a risk in something you don’t know; something that shakes us or provokes us is healthy. And I think that music should keep going, inventing and showing the world of tomorrow.
There’s a risk in something you don’t know; something that shakes us or provokes us is healthy. And I think that music should keep going, inventing and showing the world of tomorrow.
I’ve always felt that that Beethoven’s symphonies work very well with modern music, maybe because his symphonies are an amazing example of radical, modern music, that changed the basis of composing and of the role of music in our life. We can hear Beethoven’s music with different ears, in dialogue with contemporary music from our time.
I feel I am privileged to be a part of this family, because the LSO saw me as a young conductor, and I learned a lot with them during those early years – and I still learn today. It’s a real joy to have a long-term relationship with this Orchestra; I am still inspired by their playing, but also by how the LSO thinks an orchestra should be in our time.
I’ve known Unsuk Chin for about 15 years. I premiered her work Cantatrix Sopranica in Paris, and have conducted her music ever since. She’s an amazing composer. She invents every time she creates a new work. She takes risks. I love her virtuosic way of writing for the orchestra, and it will be a great joy to collaborate with her and the LSO.
The Concerts
![2023-Half-Six-Fix-Noseda-©-Tom-Lovatt The LSO cellos and double basses playing on the Barbican stage, with screens at the sides showing the performers.](https://images.lso.co.uk/uploads/2024/04/2023-Half-Six-Fix-Noseda--Tom-Lovatt.jpg?resize=16%2C10&gravity)
Half Six Fix: Beethoven
François-Xavier Roth
Wednesday 30 October 2024 • 6.30pm
François-Xavier Roth introduces and conducts the LSO in Beethoven's Symphony No 1 in this 60-minute Half Six Fix concert.
![Violinist Isabelle Faust Violinist Isabelle Faust](https://images.lso.co.uk/uploads/2023/03/48_23-Nov_Bartok-Janacek-Debussy-Felix-Broede_1.1-Kopie_resized.jpg?resize=16%2C10&gravity)
Adámek and Beethoven
François-Xavier Roth and Isabelle Faust
Thursday 31 October 2024 • 7pm
Hear early Beethoven in a playful mood, plus Ondřej Adámek's concerto featuring violinist Isabelle Faust, conducted by François-Xavier Roth.
![Orchestra performing at Half Six Fix, focus on horns and wind The London Symphony Orchestra performing on the Barbican Hall stage.](https://images.lso.co.uk/uploads/2024/04/231206-Half-Six-Fix-Tchaik-6-low-res.-Credit_Tom-Lovatt-22-scaled.jpg?resize=16%2C10&gravity)
Half Six Fix: Lachenmann and Beethoven 7
François-Xavier Roth
Wednesday 27 November 2024 • 6.30pm
Kick-start your evening with a 60-minute Half Six Fix concert. Introduced by the performers, with screens in the hall to bring you closer to the action.
![First Violins of the London Symphony Orchestra First Violins of the London Symphony Orchestra performingon the Barbican Hall stage](https://images.lso.co.uk/uploads/2024/04/231206-Half-Six-Fix-Tchaik-6-low-res.-Credit_Tom-Lovatt-69-scaled.jpg?resize=16%2C10&gravity)
Lachenmann and Beethoven 7
François-Xavier Roth
Thursday 28 November 2024 • 7pm
Two sound worlds, two centuries apart: Lachenmann’s Melodies meets Beethoven’s Seventh Symphony.
![250126-Pierre-Boulez-event-masthead-©-LSO-Archives Black and white portrait photo of Pierre Boulez](https://images.lso.co.uk/uploads/2024/03/250126-Pierre-Boulez-event-masthead--LSO-Archives.jpg?resize=16%2C10&gravity)
LSO Futures: Homage to Pierre Boulez
François-Xavier Roth
Sunday 26 January 2025 • 7pm
Celebrating Pierre Boulez and his influences, in the composer’s centenary year: his beloved Debussy, alongside three intriguing world premieres.
![Pierre Boulez Mastehead The composer Pierre Boulez. He is wearing a dark top and has white hair](https://images.lso.co.uk/uploads/2024/04/Pierre-Boulez-Mastehead.jpg?resize=16%2C10&gravity)
The Boulez Effect
An afternoon symposium
Monday 27 January 2025 • 4.30pm
A symposium at Milton Court exploring the legacy of Pierre Boulez, chaired by Kate Molleson. Featuring talks and insights from the LSO, François-Xavier Roth and guest speakers.
![FXR Mastehead c Mark Allan Francois-Xavier Roth conducting on the Barbican Hall stage. He is wearing a dark suit with a dark tie.](https://images.lso.co.uk/uploads/2024/04/FXR-Mastehead-c-Mark-Allan.jpg?resize=16%2C10&gravity)
Boulez 100: Chamber Concert
LSO Chamber Ensemble
Monday 27 January 2025 • 7.30pm
Fanfares, massed cellos and electronics – a fascinating celebration of the music of Pierre Boulez, in his centenary year.