Skip to main content
What’s On

Read Full Post about Panufnik Legacies III: Donghoon Shin
Composer Contemporary Stories

Panufnik Legacies III: Donghoon Shin

Following the release of the third album in the Panufnik Legacies series, which features brand new music from alumni of the LSO Panufnik Composers Scheme, we asked the composers themselves to tell us a little more about their experience writing for and recording with the Orchestra. In this interview, get to know Donghoon Shin.

Read Full Post about Welcome to José Moreira, our new double bass
New Member News
London Symphony Orchesta logo in white displayed on black background

Welcome to José Moreira, our new double bass

Last month we welcomed a new member to the Orchestra, José Moreira, who joins the Double Bass section.

Read Full Post about Welcome to Laura Dixon, our new First Violin
New Member News
London Symphony Orchesta logo in white displayed on black background

Welcome to Laura Dixon, our new First Violin

Last month we welcomed a new member to the Orchestra, Laura Dixon, who joins the First Violin section.

Read Full Post about Sir Simon Rattle on the music of Betsy Jolas
Contemporary Sir Simon Rattle Stories
Betsy Jolas and Sir Simon Rattle smiling on stage

Sir Simon Rattle on the music of Betsy Jolas

Sir Simon Rattle talks to us about Franco-American composer Betsy Jolas and how her latest work A Little Summer Suite came about.

Read Full Post about Ravel in Spain
Stories
Composer Maurice Ravel sat at the piano

Ravel in Spain

We explore the Iberian influence on many of composer Maurice Ravel’s greatest works, from Rhapsodie espagnole to Boléro.

Read Full Post about The LSO in World War I: Armistice and Renaissance
Archive Dive Stories
London Symphony Orchesta logo in white displayed on black background

The LSO in World War I: Armistice and Renaissance

Back in 2014 we began a project to uncover the story of the LSO and its players during World War I, marking the centenary of the start of the conflict. Four years later, to mark the centenary of the Armistice, we return to take a look at how the LSO was coping by the end of the War and what happened next.

Read Full Post about And so the big day has arrived... LSO On Track is 10!
Archive Dive Stories
Orange, pink, blue and green powder splashed as a background with white text that says 'LSO on track at 10'

And so the big day has arrived... LSO On Track is 10!

Nicole Wilson, violinist, broadcaster, journalist and founder of Musical Orbit, has been following our young musicians from LSO On Track and the Guildhall School as they got ready for a busy and exciting few days.

Read Full Post about Five things you didn't know about Elgar
Archive Dive Composer Stories
Elgar with the LSO at Abbey Road Studios.

Five things you didn't know about Elgar

Learn more about Elgar as a composer and a conductor, his relationship with the LSO and some of his unique quirks.

Read Full Post about Behind the scenes: why is a Green Room called a Green Room?
Archive Dive Stories
the sign on the door of Sir Antonio Pappano's dressing room

Behind the scenes: why is a Green Room called a Green Room?

It all started with an Instagram post of the sign on the door of Sir Simon Rattle’s dressing room – or more accurately the Barbican Centre’s Conductor’s Green Room. One of our followers asked the question: ‘why is it called a Green Room?’

Read Full Post about Farewell to Nigel Broadbent, First Violin
Retirement
nigel broadbent sitting in an orchestra looking at the camera

Farewell to Nigel Broadbent, First Violin

On Thursday 21 December we say goodbye to one of the stalwarts of the London Symphony Orchestra, First Violinist Nigel Broadbent, who retires after 38 years in the Orchestra.

Read Full Post about Eight things you didn’t know about Rachmaninoff’s Piano Concerto No 2
Archive Dive Stories
Rachmaninoff sitting looking at the camera with a booklet in front of him on a table

Eight things you didn’t know about Rachmaninoff’s Piano Concerto No 2

Rachmaninoff’s Piano Concerto No 2 is one of the most popular and recognisable concertos in the classical repertoire. Widely enjoyed but played only by the most skillful pianists, it has been performed in concert halls consistently since 1901. But how much do you really know about this landmark piece?

Read Full Post about A farewell to Patrick Harrild, Principal Tuba
Retirement
patrick playing the tuba

A farewell to Patrick Harrild, Principal Tuba

After nearly 30 years as the man in the Principal Tuba seat, Patrick Harrild’s last official day as a Member of the London Symphony Orchestra has dawned. Tonight he’ll play his last concert – Mahler 7 with Gianandrea Noseda and Berg Violin Concerto with Janine Jansen – before he heads off into retirement.

1 18 19 20 21