In Tilson Thomas’ hands, the opening of Tchaikovsky’s Violin Concerto had the ominous quality of an opera overture and there was an appropriately vocal quality in the playing of his soloist, Nicola Benedetti.
In Tilson Thomas’ hands, the opening of Tchaikovsky’s Violin Concerto had the ominous quality of an opera overture and there was an appropriately vocal quality in the playing of his soloist, Nicola Benedetti.